Ableton Live 11 Suite Mac版 音乐制作软件 v11.3.25(2024-04-23_c493de3b05)

所属分类：音频编辑  大小3G-6G 适配：macOS 10.14或更高 大小：3.23GB | 语言：多国语言[中文] | 授权：破解 最后更新：2024年05月13日

sudo xattr -r -d com.apple.quarantine /Applications/Ableton\ Live\ 11\ Suite.app

软件介绍

Ableton Live 11 Suite Mac破解版是知您网搜集到的Mac os系统上由来自国外Ableton公司的一款专业级的音乐制作软件，它拥有强大的录音、编曲、混音和制作音乐的功能，让您能够轻松地创造出富有创意和魅力的音乐作品。
 
这款软件具有直观的用户界面和简单易学的操作方式，让您能够快速上手，并迅速实现自己的创意。它支持多轨录音功能，让您能够同时录制多个乐器和声音。此外，它还提供了丰富的音频效果和处理工具，如EQ、压缩、混响等，让您能够精细调整每一个音频细节，使之达到完美的效果。
 
Ableton Live Suite 11破解版还配备了强大的MIDI编辑器，可以让您精确地控制每一个音符和音轨。它支持VST插件，让您能够扩展其功能，使用各种虚拟乐器和效果器。此外，它还配备了丰富的合成器和采样器，让您能够自由创造出各种声音。
 
Ableton Live Suite 11 for Mac破解软件不仅支持多种音频格式，还可以实时处理和编排音频。它的Session View让您能够实时录制、编曲、混音和即兴创作。同时，它还提供了Arrangement View，让您能够更加精细地编辑和安排音频。
 
此外，Ableton Live Suite 11还具备强大的混音和母带处理功能，让您的音乐作品达到专业水准。不论您是制作流行音乐、电子音乐、摇滚乐还是古典音乐，Ableton Live Suite 11都能满足您的各种创作需求。
 
总而言之，知您网分享的Ableton Live Suite 11 Mac破解版是探索音乐创作的无限可能的工具，是音乐爱好者和专业制作人不可或缺的创作利器。无论您是刚刚开始学习音乐制作还是已经成为了行业内的专家，它都能为您带来无尽的创作灵感和乐趣。
 

Ableton Live Suite 11 Mac软件下载功能特色

概况、调整和实验
在Live的Session View中，您可以自由地混合和匹配音乐创意，而不受时间轴的限制。快速传播想法，是即兴创作的理想场所。您可以任意组合播放不同长度的MIDI和音频循环。
 
深入细节
您可以在“排列视图”中沿时间轴组织音乐。将音乐声部放置到位并构建歌曲的各个部分。深入了解细节，而不会忘记您的音乐目标(无论是构想初步构想还是安排完整的曲目)。或者您可以将在“会话视图”中所做的所有事情记录到“编曲”中，即兴完成创作歌曲。
 
将您的想法变为现实
无论您有什么样的音乐/编曲灵感，Live都会为您提供抓住它的方法。记录硬件合成器，软件插件，鼓机，吉他或现实世界中的任何音频。现在，您可以在演奏音符后使用Capture MIDI来录制音符，从而将最自然的想法（和意外事件）转化为音乐。还有Live的音频转MIDI功能，使您可以将鼓声，旋律或和声声部转换为MIDI模式，您可以编辑和重用自己的声音。
 
用任何声音，任何节奏
使用Live进行创作如此流畅的原因之一就是能够在不停止音乐创作的情况下实时更改任何音频的速度和定时。我们称此为Warping。使用扭曲来混合和匹配来自各种节奏的循环，修复录制的表演中的计时错误，或者根据新的声音设计方向从根本上重塑任何音频。
 

DESCRIPTION

Live is fast, fluid and flexible software for music creation and performance. It comes with effects, instruments, sounds and all kinds of creative features—everything you need to make any kind of music. Create in a traditional linear arrangement, or improvise without the constraints of a timeline in Live’s Session View. Move freely between musical elements and play with ideas, without stopping the music and without breaking your flow.
 
Create your perfect take
Take recording and comping
Live organizes multiple passes of an audio or MIDI performance into individual takes. Pick the best moments of each performance and combine them to create your perfect take. Or approach sound design in a new way by splicing together random samples from your library.
 
Linked-track editing
Link two or more tracks to edit their content simultaneously. This makes editing multi-tracked instruments or performances with multiple musicians easy and fast whilst keeping everything in time across tracks. This feature also works for MIDI tracks.
 
Add more feeling to your music
Use your MPE-capable controller
Plug in your MPE-capable controller and immediately add bends, slides and pressure for each individual note in a chord. Add subtle expression variations, morph between chords and create evolving sonic textures.
 
What is MPE?
MPE stands for MIDI Polyphonic Expression. This way of using MIDI allows MPE-capable devices to control multiple parameters of every note in real time for more expressive instrumental performances.
 
Experiment with new devices
Hybrid Reverb
Hybrid Reverb combines convolution and algorithmic reverbs. Place your sounds in any space, from accurate real-life environments to those that defy physical reality. Use the algorithmic side to add control and modulate the reverb tail, run it in parallel or in series with the convolution side, or play Hybrid Reverb like an instrument for real-time sound design.
 
Spectral Resonator
Breaks the spectrum of an incoming audio signal into partials, then stretches, shifts and blurs the result by a frequency or a note in subtle or radical ways. The MIDI sidechain input also allows musicians to process material in key and even play the device as if it were a polyphonic instrument.
 
Spectral Time
Transforms sound into partials and feeds them into a frequency-based delay, resulting in metallic echoes, frequency-shifted and reverb-like effects. The Freeze function captures and holds a slice of audio – either free-running or in time with the beat – for stuttered, glitched and washed-out effects.
 
PitchLoop89
Create jittery glitch effects, delayed digital shimmers and outlandish vibrato with this Max for Live pitch shifting device created in collaboration with Robert Henke and inspired by the Publison DHM 89 – an early digital effects processor. It’s a flexible tool to add character to sounds in the studio, or for in-the-moment experimentation onstage.
 
Do more on stage
Tempo Following
Live listens to and adjusts its tempo based on incoming audio in real time, making it a dynamic part of the band instead of the tempo source that everyone has to follow. When you DJ, you can even turn Live into a tempo-synced FX box.
 
Macro Snapshots
Store the state of your Macros for later recall – perfect for creating instant variations to your sounds or builds and drops during performance.
 
Rack improvements
Configure your Racks to have between 1 and 16 Macros. Randomize the state of your Macros with the randomization button. Map this control to MIDI and perform drastic changes in real time to surprise your audience and yourself.
 
Be unpredictable
Note chance
Set the probability that a note or drum hit will occur and let Live generate surprising variations to your patterns that change over time.
 
Velocity chance
Define ranges for velocity probability for subtle, humanized variations in the dynamics of your patterns.
 
Do more with Follow Actions
Follow Actions can now be linked to the clip length, making it faster to create interesting sequences of clips. Scene Follow Actions let you create evolving arrangements. You can also set Follow Actions to jump to specific clips and enable and disable Follow Actions globally.
 
WHAT’S NEW
Version 11.3.25:
Live - New features and improvements
• Reduced the number of audio dropouts when running Live on Windows machines with processors that have performance and efficient cores, e.g., Intel Alder Lake.
• Introduced the option to create new audio clips in a Live Set via the Max for Live API, given a valid audio file path. This was achieved by adding two new endpoints: a Track.create_audio_track function and a ClipSlot.create_audio_track function, which create clips respectively in the Arrangement and Session View.
• The Song object in Max for Live now has a name property and a file_path property. Both properties are get-only.
• When using the APC64 Control Surface, it is now possible to lock device control with the [Shift] + [Device] combination. Additionally, the Quantize button LED now always reflects the record quantization state.
• In the AKAI APC64 Control Surface script, the cursor buttons now navigate the session ring in the Project mode.
• In the Komplete Kontrol S Mk3 Control Surface script, turning the 4D encoder will now scroll the song time when not in the DAW page (e.g., when the MIDI page is selected).
• When connecting several MIDI controllers of the same type, Live will add numbers to the names of their ports so that the ports can be addressed separately.
• The bundled Max version has been updated to 8.5.8.
• The following Drift device properties are now available in the Max for Live API: 
- mod_matrix_target_1_index
- mod_matrix_target_1_list
- mod_matrix_target_2_index
- mod_matrix_target_2_list
- mod_matrix_target_3_index
- mod_matrix_target_3_list
 
Live - Bugfixes
• Live now detects 32-bit integer PCM .wav files and displays a warning dialog stating that such files cannot be loaded.
• Live now accepts all MIDI CCs (0-127) sent by VST3 plug-ins.
• Drift's LFO will no longer reset after a period of inactivity when LFO Retrigger is off.
• Fixed a bug that occurred when opening a Set, where in some cases the software text to the right of devices in the Device View would say "Drop an Instrument or Sample Here" instead of "Drop Audio Effects Here", and would only update after adding or removing devices.
• Fixed an issue in the Novation Launchpad and Launchkey MK3 Control Surfaces where pressing the Play button could result in clips being inaudible.
• Fixed a performance issue in macOS ARM-based desktop machines, where increasing the buffer size would lead to degraded performance.
• Fixed a crash that occurred when loading a device Rack preset that included a plugin that either did not exist or was deactivated.
• Fixed an issue where Live would hang when loading a Set containing a large number of video clips on Apple Silicon machines.
• Fixed a crash that sometimes occurred when undoing a track deletion where the track contained a plug-in and automation or modulation envelopes.
• Fixed an issue where the meters would incorrectly show a different CPU load when playing a test tone with the CPU Usage Simulator option in Live’s Audio Preferences set to below 35%.
• When the “Show Downloadable Packs” option is switched off in Live’s Library Preferences, no details about available Packs will be shown in the browser.
• Fixed a bug that caused the currently selected clip slot not to be brought into focus when renaming the clip or clicking the Clip View header in some scenarios.
• Fixed a bug that caused Live to reset its Preferences and other software settings if the program was started during the auto-update process.
• Fixed a performance regression that occurred particularly with smaller buffer sizes.
• Fixed a crash that occurred at startup on Windows 11 for computers with more than 64 CPUs.
• Fixed a bug where starting to edit an automation value and pressing return without typing in a value would create unnecessary breakpoints.
• Fixed a crash that could occur when changing the type of an automated Max for Live parameter for a device loaded onto the Master track.
• Improved some MIDI note selection descriptions in the Status Bar:
- The velocity range of MIDI notes with negative velocity is now displayed correctly.
- Time ranges with a granularity lower than 1/16 are indicated with the “+” sign.
• Fixed a bug that caused Simpler to produce no sound after enabling the device’s filter.
• The Chain Selector modulation envelope for Racks no longer shows modulation units in “st”.
• Fixed a bug that caused muted MIDI notes to become unmuted when extracting chains from a Drum Rack into a new MIDI track.
• Text within the Groove Pool is now aligned properly.
• When importing a sample from a Factory Pack which was created prior to 2014, Live will not launch a modal dialog which cannot be cancelled.
• Fixed a bug that could cause erratic behavior in the DS Sampler device.
• Drum Rack chain Preview Buttons in Session View now use the correct color when chains are unfolded for the first time.
• Fixed a bug on macOS Sonoma that caused the tempo to be set to 20 bpm when clicking in the tempo field if Live was in full screen mode.
• The alignment of the MIDI Ports settings in the Link, Tempo & MIDI Preferences has been corrected.
• The display of the tick and label markers in the Arrangement View Time Ruler now depends only on the zoom factor. Previously, the current view size could change the appearance of these markers as well.
• In the MiniLab 3 Control Surface script, a more accurate tempo is now displayed when using the Tap Tempo feature.
• Fixed a bug that would cause live.device to output id 0 instead of the newly created MIDI clip's ID in response to a call to the previously-available ClipSlot.create_clip function.
• Fixed a potential crash that could occur when editing an automation breakpoint value via its context menu.
• On macOS, Live now uses the hardware-accelerated Metal renderer in more situations, leading to improved UI performance with large window sizes on large low-DPI displays. 
• On macOS, fixed a crash that occurred when dragging long Arrangement clips while zoomed in a lot and when the Live window was very large.
• Fixed an issue where some newer Control Surfaces (such as the one for APC64) could interfere with Push’s auto-arming behavior.
• Fixed a crash that occurred when attempting to stretch an Arrangement clip by [Shift]-dragging its edge while in automation mode and while the insert marker or a time selection was on an automation lane above the clip.
• After copying later parts of unwarped clips from take lane to main lane, the take lane would not show the copied region highlighted. This behavior is now fixed.
• Fixed an issue where playback of MPE curves would sound audibly different from the original performance when recording those curves.
• Fixed a performance problem with Windows 10 on computers using Intel Alder Lake processors.
• In previously affected Sets, fixed missing automation segments, glitches, hangs and crashes associated with broken automation curve coefficients. The Sets will now work correctly when they are loaded.
• Simpler will no longer load empty audio files that Live created for slot recordings.
• Gain reduction meters no longer flicker when using large buffer sizes.
• Improved performance of Sets containing Max for Live devices.
• On Windows, fixed issues with detection of some VST3 plug-ins, including AURA plug-ins.
• On macOS, fixed a crash that could occur when the Live window was moved between displays.
• Resizing to the left an unwarped Arrangement audio clip with tempo automation will now shift its audio to the right of the previous start position.
• Fixed an issue where Live's zoom level, and additionally the display scale setting on Windows, would affect the speed of moving automation breakpoints and the Knee parameter of Compressor’s transfer curve.
• Fixed an issue that occurred on Windows 11 machines with P-cores and E-cores such as Intel Alder Lake processor, where more worker threads than necessary would get created. 
• When setting Live's thread affinity via third party tools or the Windows Task Manager, Live would have tried to override it for audio calculation threads instead of adopting the settings. This behavior is now fixed.
• Fixed an issue that caused vertical scrolling to move too fast when adjusting values in the MIDI Note Editor’s MPE and Envelopes view modes.
• Fixed a bug that caused Live's meters to stay permanently red after a signal of "infinity" level loudness was received in the audio engine.
• Fixed an issue that caused high CPU usage or audio dropouts when the scene tempo was updated very frequently while using Link.
• Fixed a crash that could potentially occur when pressing the arrow up, arrow down, page up or page down keys in the Session View while the main track was highlighted.
• On macOS, fixed a bug which would cause the contents of the Live window to disappear when moving the window from one display to another.